Man, 2015-16
Oil and digital photograph on canvas
30 x 24 in
News Stand, 2015
Oil on canvas
20 x 24 in
Butcher, 2015
Oil on canvas
14 x 18 in
Baba and Data, 2014
oil and charcoal on paper on board
30 x 24 in
The Labelist, 2018
Oil and charcoal on paper
26 in x 36 in
tweet tweet, 2014
Oil and mixed media on paper
30 x 22 in
Sleepy Head, 2017
Oil on canvas
14 x 18 in
Madame Cézanne Knitting on the Subway, 2016
oil and mixed media on paper
28 x 38 in
Invisible Object (Hope and the Void), 2016
Oil and mixed media on paper on canvas
30 x 40 in
Security, 2014-16
Oil on canvas
30 x 24 in
Torn Apart, 2016
Oil, charcoal, pencil on paper
40 x 30 in
Nuts, 2014
oil and charcoal on paper
14 x 11 in
The Spectator, 2014-15
Oil and mixed media on canvas
24 x 30 in
First Steps (after Van Gogh), 2014
Oil and mixed media on paper
26 x 36 in
Liberty on Ice, 2015
Oil and mixed media on paper
25 x 33 in
Liberty on Ice (detail), 2015
Oil and mixed media on paper
25 x 33 in
Shakespeare Texting, 2014
oil and mixed media on paper on board
30 x 24 in
The Thoughtless, 2015
Oil, charcoal, pencil on paper on board
24 x 18 in
Doom Scroller, 2017
Oil on canvas
14 x 18 in
Pink Beanie, 2017
Oil on Board
14 x 18 in
Vacant Torso, 2014
oil on canvas
14 x 18 in
Profile Image, 2014
oil on canvas
14 x 18 in
Boy, 2014
oil on canvas
14 x 18 in
Hands Holding a Void, 2015-21
Mixed media on paper on panel
24 × 30 in
Cursor Blessing (In the Beginning), 2016
Oil, charcoal, pencil on oil paper
27 x 21 in
O2.0
oil and mixed media on paper
26 x 34 in
2015
Red Handed, 2015
oil on canvas
14 x 18 in
Red Handed II, 2015
Oil on canvas
14 × 18 in
Reflection in a Moving Train, 2014
oil on board
16 x 12 in
Holding Hand, 2017
Oil on paper
14 x 18 in
Doom Scroller , 2017
Oil on paper
14 x 18 in
Another Sleepy Head
Oil on Board
14 x 18 in
2017
White Noise (after Carpeaux's Fisher boy with Conch), 2014
oil and charcoal on paper on board
30 x 24 in
Cursor Blessing (Dot Com-Union), 2016
Oil and charcoal on oil paper
36 x 26 in
The Bat Signal, 2015
Oil on canvas
20 x 24 in
i-Shadow, 2015
oil on board
20 x 24 in
Dis-Embody Language (2014-2021)
Developed through encounters on New York’s streets and subways, these paintings and drawings follow the gestures of an increasingly screen-absorbed world: bowed heads, occupied hands, bodies together and minds elsewhere. Statues, animals and figures borrowed from art history join the conversation. Through painterly distortion, visual puns and improbable encounters, the works explore the body unattended and the gestures that persist in our absence.